Bottesini – Fantasia 'I Puritani' (Urtext Edition): Takanari Koyama — PDF Sheet Music
Bottesini – Fantasia 'I Puritani' (Urtext Edition): Takanari Koyama — PDF Sheet Music
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Bottesini was known for basing many of his works on themes from operas, and his Fantasia ‘I Puritani’ is no different, taking its thematic material from Bellini’s opera of the same name. Bottesini in fact wrote two pieces based on this opera, one being the Duo Concertante for Cello, Double Bass and String Orchestra, and the other being the present version for double bass and orchestra (or piano). This new edition by Takanari Koyama is a direct representation of the source material in Bottesini’s own hand, with the addition of a version of the piano part for orchestral tuning and a version of the double bass part with suggested fingerings.
Double Bass music purchased from String Virtuoso Shop comes with both a clean part and a part with bowings and fingerings from the editor.
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Takanari Koyama
Born in Japan in 1988, Takanari Koyama began his studies in his hometown of Aichi with Hideki Hoshi. From 2008 onwards, he was a student of Josef Niederhammer and Werner Fleischmann at the University of Music and Performing Arts in Vienna. He participated in the academy programme of the ORF Radio Symphony Orchestra and was an extra player in the Vienna Symphony. He also took part in masterclasses and private lessons with Jurek Dybał, Bogusław Furtok, Božo Paradžik, Dorin Marc, and Rinat Ibragimov.
Since 2013, he has been Principal Bass player of the Göttingen Symphony Orchestra, which won an Echo Klassik Award in Hamburg in 2017. He has also played as Principal Bassist in the Swedish O/Modernt Chamber Orchestra, Beethoven Orchestra Bonn, Mozarteum Orchestra Salzburg and Royal Northern Sinfonia.
Takanari Koyama won the First Prize at the Music Academy Competition for Strings in Vienna in 2013 and the Third Prize at the International Double Bass Competition in Wroclaw in 2014.
Since 2017, Takanari Koyama has been teaching at the Mozarteum University in Salzburg.
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